[. . . ] n'exposez jamais la lentille directement aux rayons de soleil, même pendant un bref instant. Ceci peut endommager l'intérieur de l'appareil ou même causer un incendie !stel de lens nooit bloot aan direct zonlicht, zelfs gedurende een korte periode. Setzen sie die Linse niemals direkter Sonneneinstrahlung aus, auch nicht für eine kurze Zeit ! [. . . ] Use DOWN and UP buttons to choose 1Chan, 12Chan, 10Chan, 2Chan or 4MSL mode. Once the desired channel setup mode shows on the display, press the ENTER button to save it. To go back to the main menu without any change press the MENU button shortly. If you want to go back to normal running mode: press the MENU button for about 2 seconds. 1. COOLING FANS: these fans are temperature controlled so most of the time they will NOT work, this is normal!Make sure the fans are always clean and never cover the holes, this will result in possible overheating. BRACKET: used to hang the projector in truss (optional truss clamp needed). LEDS: DMX On DMX input present MASTER On Master mode SLAVE On Slave mode SOUND Flashing Sound activation 5. BUTTONS: MENU To select the programming functions DOWN To go backward in the selected functions UP To go forward in the selected functions ENTER To confirm the selected functions 6. DMX INPUTS: connect this input to the previous unit in the DMX chain or directly to the DMX-controller. REMOTE CONTROL connector: used to connect the CA-8 hand controller 10. SECURITY EYEBOLT: used to secure the unit with an optional safety cable. 11. MAINS POWER IN/OUT: IEC in/outputs, use the supplied IEC-cable to connect the projector to the mains. You can also daisy chain up to 10 units using the optional IEC-extension cables, available under order code 4151 (L=1m), order code 4152 (L=5m). 12. FUSE HOLDER: always exchange a broken fuse with the same 20x5mm 6, 3A type. OVERHEAD RIGGING Important: The installation must be carried out by qualified service personal only. You will be asked which preprogrammed show you want to use: choose from 2-1 to 2-8. (Note that this setting is only relevant while used without any controller, you can change the speed using the menu buttons on the master) You will be asked which playback speed you want for the show: choose from 0 to 255. (Note that this setting is only relevant while used without any controller, you can change the speed using the menu buttons on the master) 5 * 10: select this option when the unit is used in a master/slave setup with several units placed in a 5x10 matrix (5 units mounted on top of each other, using the optional matrix bracket). You will be asked which preprogrammed show you want to use: choose from 3-1 to 3-8. (Note that this setting is only relevant while used without any controller, you can change the speed using the menu buttons on the master) You will be asked which playback speed you want for the show: choose from 0 to 255. (Note that this setting is only relevant while used without any controller, you can change the speed using the menu buttons on the master) To go back to the main menu without any change press the MENU button shortly. If you want to go back to normal running mode: press the MENU button for about 2 seconds. Sound State The unit works to rhythm of the beat when used in standalone or master/slave mode Press the MENU button until "Sound State" is shown on the display. [. . . ] You need to "daisy chain" your DMX controller and all the connected units with a good quality balanced cable. Both XLR-3pin and XLR-5pin connectors are used, however XLR-3pin is more popular because these cables are compatible with balanced audio cables. Pin layout XLR-3pin: Pin1 = GND ~ Pin2 = Negative signal (-) ~ Pin3 = Positive signal (+) Pin layout XLR-5pin: Pin1 = GND ~ Pin2 = Negative signal (-) ~ Pin3 = Positive signal (+) ~ Pins4+5 not used. To prevent strange behavior of the light effects, due to interferences, you must use a 90 to 120 terminator at the end of the chain. Each light effect in the chain needs to have its proper starting address so it knows which commands from the controller it has to decode. [. . . ]